Top-100 artists:
We use our proprietary AI - LiveArt Estimate™ to calculate current market value for each artwork. Based on this data LiveArt is able to provide numerous insights into artist and artwork financial performance, including:
See the measure of artist investment performance relative to risk. A higher ratio suggests better risk-adjusted returns, indicating more consistent performance with less risk.
Explore the most prolific periods in an artist's career based on artwork production volume and current market value. It also segments these periods by category, offering insights into when the most valuable pieces were created in each category.
Free to sign up. No credit card required.
| Image | Sale date | Auction house | Location | Sale name | Lot No. | Estimate | Price Sold | Condition | Title |
|---|---|---|---|---|---|---|---|---|---|
Nov 12, 2018 | Christie's | New York | Impressionist and Modern Art Evening Sale Including Property from the Collection of Herbert and Adele Klapper | 40A | $****** - ****** | Coin de jardin avec papillons |
paintings
50.2 x 61.6 cm (19.75 x 24.25 in)
oil on canvas
Theo van Gogh, Paris.
Johanna van Gogh-Bonger, Amsterdam (by descent from the above).
Vincent Willem van Gogh, Amsterdam (by descent from the above).
Galerie Eugène Druet, Paris.
Joseph Reinach, Paris.
Lily Reinach-Goujon, Paris (by descent from the above by 1928).
Wildenstein & Co., Inc., New York (acquired from the above, 1987).
Acquired from the above by the present owner, 1998.
Paris, Musée Jacquemart-André, Vincent van Gogh, February-March 1960, p. 34, no. 55 (titled Coin de Jardin; dated 1889).
The Art Institute of Chicago and Amsterdam, The Van Gogh Museum, Van Gogh and Gauguin: The Studio of the South, September 2001-January 2002, pp. 275 and 408, no. 114 (illustrated in color, p. 274, no. 22; dated circa May 1889).
London, Royal Academy of Arts, The Real Van Gogh: The Artist and His Letters, January-April 2010, p. 100, no. 50 (illustrated in color, p. 101).
Sapporo, Hokkaido Museum of Modern Art; Tokyo Metropolitan Art Museum; Kyoto, The National Museum of Modern Art and Amsterdam, Van Gogh Museum, Van Gogh & Japan, August 2017-June 2018, p. 104, no. 146 (illustrated in color).
J.-B. de la Faille, L’œuvre de Vincent van Gogh: Catalogue raisonné, Paris, 1928, vol. 1, no. 460 (illustrated, vol. 2; dated August 1888).
W. Scherjon and J. de Gruyter, Vincent van Gogh’s Great Period: Arles, St. Rémy and Auvers-sur-Oise, Complete Catalogue, Amsterdam, 1937, p. 194, no. 186 (illustrated; with incorrect provenance).
J.-B. de la Faille, Vincent van Gogh, Paris, 1939, p. 486, no. F704 (illustrated; dated 1889).
J.-B. de la Faille, The Works of Vincent van Gogh: His Paintings and Drawings, New York, 1970, p. 208, no. F 460 (illustrated; dated 1889).
J. Hulsker, The Complete Van Gogh: Paintings, Drawings, Sketches, New York, 1980, p. 387, no. 1676 (illustrated; dated April 1889).
I.F. Walther and R. Metzger, Vincent van Gogh: The Complete Paintings, Arles February 1888–Auvers-sur-Oise, July 1890, Cologne, 1993, vol. II, p. 498 (illustrated in color; titled Grass and Butterflies, and dated April 1889).
E. Hendricks and L. van Tilborgh, New Views on Van Gogh's Development in Antwerp and Paris: An integrated Art-Historical and Technical study of his Paintings in the Van Gogh Museum, Amsterdam, 2006, p. 35, no. 5 (illustrated).
V.M. van Gogh, ed., The Complete Illustrated and Annotated Letters: Arles 1888-1889, London, 2009, vol. 4, letter 589, p. 34 (illustrated, p. 36).
W. Feilchenfeldt, Vincent van Gogh: Die Gemälde 1886-1890, Händler, Sammler, Ausstellungen: Frühe Provenienzen, Wädenswil, 2009, p. 93 (illustrated in color).
E. Hendricks and L. van Tilborgh, Vincent van Gogh Paintings: Antwerp & Paris 1885-1888, Amsterdam, 2011, vol. 2, pp. 48-49, no. 12 (illustrated in color, p. 47; titled Butterflies).
W. Feilchenfeldt, Vincent van Gogh, The Years in France, Complete Paintings, 1886-1890, Dealers, Collectors, Exhibitions, Provenance, London, 2013, pp. 282, 290 and 342, no. F460 (illustrated in color, p. 95).
oil on canvas
19 ¾ x 24 ¼ in. (50.4 x 61.4 cm.)
Painted in May-July 1887
